Hiroshi Yoshida (吉田 博, Yoshida Hiroshi, September 19, 1876 – April 5, 1950) was a 20th-century Japanese painter and woodblock printmaker. He is regarded as one of the greatest artists of the shin-hanga style, and is noted especially for his excellent landscape prints. Yoshida travelled widely, and was particularly known for his images of non-Japanese subjects done in traditional Japanese woodblock style, including the Taj Mahal, the Swiss Alps, the Grand Canyon, and other National Parks in the United States.
- Yoshida Toshi Prints Price
- Toshi Yoshida Woodblock
- Toshi Yoshida Woodblock Prints For Sale
- Toshi Yoshida Sale
Biography[edit]
Artist: Toshi Yoshida (1911-1995) Title: Tsubakurodake, Morning Date: 1951 Colorful view of Mount Tsubakuro in the early morning. Dawn rises a brilliant orange above a soft sea of clouds in the distance. In the foreground we see remnants of snow clinging to. Jan 1, 2020 - Japanese Woodblock Print. See more ideas about Woodblock print, Japanese woodblock printing, Woodblocks.
A watercolour of Mount Fuji, circa 1920
Avenue of Sugi trees, a shin-hanga work (1937)
Hiroshi Yoshida (born Hiroshi Ueda) was born in the city of Kurume, Fukuoka, in Kyushu, on September 19, 1876.[1] He showed an early aptitude for art fostered by his adoptive father, a teacher of painting in the public schools. At age 19 he was sent to Kyoto to study under Tamura Shoryu, a well known teacher of western style painting. He then studied under Koyama Shōtarō, in Tokyo, for another three years.
In 1899, Yoshida had his first American exhibition at Detroit Museum of Art (now Detroit Institute of Art). He then traveled to Boston, Washington, D.C., Providence and Europe. In 1920, Yoshida presented his first woodcut at the Watanabe Print Workshop, organized by Watanabe Shōzaburō (1885–1962), publisher and advocate of the shin-hanga movement. However, Yoshida's collaboration with Watanabe was short partly due to Watanabe's shop burning down because of the Great Kanto earthquake on September 1, 1923.
In 1925, he hired a group of professional carvers and printers, and established his own studio. Prints were made under his close supervision. Yoshida combined the ukiyo-e collaborative system with the sōsaku-hanga principle of 'artist's prints', and formed a third school, separating himself from the shin-hanga and sōsaku-hanga movement. His art is used all around the world, wanting to inspire young artists to follow their hearts and to teach them that they should do what they'd like, even if nobody else in the room agrees. Hiroshi's art is used with clear credit to his name, and a small summary about his life.
At the age of 73, Yoshida took his last sketching trip to Izu and Nagaoka and painted his last works The Sea of Western Izu and The Mountains of Izu. He became sick on the trip and returned to Tokyo where he died April 5, 1950 at his home[2]. His tomb is in the grounds of the Ryuun-in, in Koishikawa, Tokyo[3].
Artistic style[edit]
Hiroshi Yoshida was trained in the Western oil painting tradition, which was adopted in Japan during the Meiji period. Yoshida often used the same blocks and varied the colour to suggest different moods. The best example of such is Sailing Boats in 1921. Yoshida's extensive travel and acquaintance with Americans influenced his art considerably. In 1931 a series of prints depicting scenes from India, Pakistan, Afghanistan, and Singapore was published. Six of these were views of the Taj Mahal in different moods and colors.
The Yoshida family legacy[edit]
The artistic lineage of the Yoshida family of eight artists: Kasaburo Yoshida (1861–1894), whose wife Rui Yoshida was an artist; their daughter Fujio Yoshida (1887–1987); Hiroshi Yoshida (1876–1950), their adopted son, who married Fujio; Tōshi Yoshida (1911–1995), Hiroshi's son, whose wife Kiso Yoshida (1919–2005) was an artist; Hodaka Yoshida (1926–1995), another of Hiroshi's sons, whose wife Chizuko Yoshida (b. 1924) and daughter Ayomi Yoshida (b. 1958) are artists. This group, four men and four women spanning four generations, provides an interesting perspective in looking at Japanese history and art development in the turbulent 20th Century. Although they inherit the same tradition, the Yoshida family artists work in different styles with different sensibilities. Toshi Yoshida and the Yoshida family have used the original Hiroshi Yoshida woodblocks to create later versions, including posthumous, of Hiroshi Yoshida prints. Prints created under Hiroshi Yoshida's management with special care have a jizuri seal kanji stamp. Jizuri means self-printed (自摺, Jizuri) and indicates that Hiroshi Yoshida played an active role in the printing process of the respective print [4]. The Hiroshi Yoshida signatures vary depending on the agents and time of creation. Hiroshi Yoshida prints sold originally in the Japanese market will not have a pencil signature or title in English.
Publications[edit]
Free online youtube downloader for mac. Japanese Woodblock Printing, comprehensive guide to the craft of woodblock printing written by Hiroshi Yoshida was published by The Sanseido Company, Ltd. in Tokyo and Osaka in 1939.[5]
References[edit]
- ^Encyclopedia of Woodblock Printmaking : Yoshida Hiroshi : Print-maker : Part One
- ^'Yoshida Hiroshi (1876-1950) - The Lavenberg Collection of Japanese Prints'. Retrieved 13 May 2020.
At the age of 73, Yoshida took his last sketching trip to Izu and Nagaoka and painted his last works The Sea of Western Izu and The Mountains of Izu. He became sick on the trip and returned to Tokyo where he died April 5, 1950 at his home.
- ^Ben Bruce Blakeney. 'Yoshida Hiroshi : Print-maker : Part One'. Retrieved 14 May 2020.
His tomb is in the grounds of the Ryuun-in, in Koishikawa, Tokyo
- ^Chris Koller. 'Hiroshi Yoshida and the Jizuri seal'. Retrieved 13 May 2020.
Jizuri means self-printed and indicates that Hiroshi Yoshida played an active role in the printing process of the respective print.
- ^Yoshida, 1939
Bibliography[edit]
- Allen, Laura W. A Japanese Legacy: Four Generations of Yoshida Family Artists. Minneapolis: Minneapolis Institute of Arts, Chicago: Art Media Resources, c2002.
- Hiroshi Yoshida. https://web.archive.org/web/20070807134701/http://spectacle.berkeley.edu/~fiorillo/texts/shinhangatexts/shinhanga_pages/yoshida3.html. Retrieved September 3, 2006.
- 'The American Travels of Yoshida Hiroshi', Eugene M. Skibbe, in Andon 43, January 1993, pp. 59–74,
- Yoshida Hiroshi The Complete Woodblock Prints of Yoshida Hiroshi. Abe Publishing Co, Tokyo, 1987.
- Yoshida Toshi & Rei Yuki 'Japanese Printmaking, A Handbook of Traditional & Modern Techniques'. Charles E. Tuttle Co.Inc, Rutland, Vermont & Tokyo, Japan: c1966.
- Blakeney, Ben B. 'Yoshida Hiroshi Print-maker'. Tokyo, Japan: Foreign Affairs Association of Japan, 1953
- Yoshida, Hiroshi. Japanese Wood-Block Printing. Tokyo & Osaka: Sanseido Co., Ltd, 1939
External links[edit]
Wikimedia Commons has media related to Yoshida Hiroshi. |
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Hiroshi_Yoshida&oldid=970257994'
Tōshi Yoshida (吉田 遠志, Yoshida Tōshi, July 25, 1911 – July 1, 1995) was a Japanese printmaking artist associated with the sōsaku-hanga movement, and son of shin-hanga artist Hiroshi Yoshida.
Yoshida Toshi Prints Price
Childhood[edit]
One of Yoshida's legs was paralysed during his early childhood. Not being able to attend school, he enjoyed watching animals and his father's printmaking workshop. Encouraged by his grandmother Rui Yoshida, Tōshi often sketched animals.
Early artistic development[edit]
Yoshida's artistic career was a long struggle between fidelity to his father's legacy and freedom from it. Hiroshi Yoshida, a shin-hangalandscape artist, dictated Tōshi's early artistic development. In 1926, Tōshi chose animals as his primary subjects to distinguish himself from his father, who was a landscape printmaker. However, in the 1930s, Tōshi started making landscape paintings and prints similar to his father's works. Father and son traveled together and even painted side by side. From 1930 to 1931, Hiroshi and Tōshi traveled to India, Shanghai, Hong Kong, Malaysia, Singapore, Calcutta, and Burma.
In 1940 he married Kiso Yoshida (née Katsura) and they soon had five sons.
Wartime[edit]
Callaway great big bertha driver for mac. Yoshida's adult career began under adverse circumstances. Yoshida was still an apprentice in the Yoshida family system. He had little, if any, artistic autonomy from his father. 1936 was the beginning of military dictatorship, under which art was under censorship. In 1943, Yoshida produced oil paintings that depict factory workers and civilians engaging in war production. After the war, because of economic hardship, Yoshida published seventeen landscape works in 1951 for American personnel and their wives.
Toshi Yoshida Woodblock
Postwar turn to abstract expressionism[edit]
The death of his father in 1950 marked Tōshi's total break from his past and from naturalism. In 1952, Yoshida began a series of abstractwoodcuts, influenced by his brother, Hodaka Yoshida. In 1953, Tōshi traveled to the United States, Mexico, London, and the Near East. He made presentations in thirty museums and galleries in eighteen states. From 1954 to 1973, Yoshida made three hundred nonobjective prints.
Animal prints and Africa[edit]
In 1971, Yoshida returned to his innate affinity for animals and focused on birds and animals again. His Humming Bird and Fuchsia in 1971 was a prelude to the African works that he began the following year. From 1971 to 1994, until the last years of his life, Tōshi worked almost exclusively on animal prints. Tōshi was also a children's book illustrator. He wrote his own short stories and made illustrations in the Animal Picture Book series.
See also[edit]
Toshi Yoshida Woodblock Prints For Sale
References[edit]
- Allen, Laura W. A Japanese Legacy: Four Generations of Yoshida Family Artists. Minneapolis: Minneapolis Institute of Arts, Chicago: Art Media Resources (2002).
- Japanese Print Making: a handbook of Traditional & Modern Techniques. Preface by Oliver Statler.
- Skibbe, Eugene M. Yoshida Toshi: Nature, Art and Peace. Minnesota: Seascape Publications (1996).
- Yoshida, Toshi & Rei Yuki. Japanese Printmaking, A Handbook of Traditional & Modern Techniques. Rutland, Vermont & Tokyo, Japan: Charles E. Tuttle Co. Inc. (1966).
External links[edit]
Toshi Yoshida Sale
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Tōshi_Yoshida&oldid=915933684'